Has anybody seen my tambourine?
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© accioloki

Amok Time

Bohemian Slide

searthesky:

image

22/10/14

i can’t act, i don’t feel comfortable really dancing around most people, and I have poor control of my expression when others photograph me

but also I can come up with all sorts of prompts, I manage to power through easy level ddr in public,  and my selfie skills are alright so it all evens out in the end

ostolero:

torridgristle:

YOU FUCKERS I WIN.

I WIN.

I FUCKING DID IT.

FUCK EVERYONE WHO DIDN’T BELIEVE IN ME.

HERE’S THE FUCKING SOURCE.

believe in torridgristle

pastries-and-turtlenecks:

someone just left the dorm complex and she was wearing a shirt that said “I’m a thespian. my parents think it’s a stage.” and I swear I laughed for three minutes without stopping to breathe

greathdips:

ririmon:

this just happened on my dashboard and i just

the turtle does not give a fuck about misato

it does the bend and snap in the face of anime

    At [Much Ado About Nothing]s core is intense male anxiety about female infidelity

The Norton Shakespeare Comedies, Much Ado About Nothing (via eighttwotwopointthreethree)

Everyone tags this with “not all men” but one of the things that is so powerful about Much Ado is that you do have, like, the one romantic hero in Shakespeare who gets it and actually figures out that the whole culture of cuckoldry panic is toxic and damaging and actually steps back from it — I know Greenblatt has a much darker reading of the play, because he’s a New Historicist and they always do, but the fact that Benedick is the only man in the play (other than the Friar, but he’s not part of the play’s whole bro complex) who believes in Hero’s innocence is a pretty big deal, given that even Hero’s own father doesn’t believe her, because “would the two princes lie, and Claudio lie?” And it’s very much a play about learning to be a good ally to women and recognizing that patriarchy is destructive — which I think is why Benedick comes off as pretty much the only romantic comedy lead in Shakespeare who feels worthy of the heroine. The flip side of the quote above is that the play is pretty optimistic about the possibility of a feminist heterosexuality, not that Shakespeare would have put it in those terms because he wrote the play in 1599ish but ykwim, and it requires listening to women and accepting their experiences as valid.

(via shredsandpatches)

gorillaprutt:

Arins Battle Kid process 

sky-media:

this is my favorite line in the history of ahs

"Hungry Eyes!"